craigslist artists rethink internet privacy
Ready for something amazing? This last Friday I got to see what other people think about craigslist for a change.
Civilian Art Projects held an opening reception for a show titled “craigslist” featuring work inspired by the site and its occupants (Read on Civilian’s website here, and Steve’s coverage, and awesome photos, here, and then my Flickr photos here).
The curatorial write up captured exactly what I have been arguing over the past year:
A curious outcome of our global internet society is that while we are more hyper-connected than ever, our identities have become increasingly malleable to the point of anonymity… Anonymity can bring out the adventurous side of people, particularly when it comes to exploring socially transgressive situations. In this exhibition, the artists take full advantage of this growing social identity phenomenon and investigate how anonymity generates a new kind of portraiture.
This was readily apparent in Jason Zimmerman‘s pieces. (more…)



(This is the second post of a multi-post series on the relationship between the real and digital world. To read them all,
What is the relationship between ‘real’ and digital world? Anyone who reads my blog knows that much of my research revolves around this very question, but I wanted to return to the topic explicitly. It seems that in many recent conversations I have been arguing that they are tightly coupled. Castranova seems to agree with me:
Last fall I had the opportunity to learn a distressingly large amount about LOLCats while writing do research on media comparisons. The resulting paper argued that the relationships between image and text in both LOLCats and silent films share striking similarities. Both captions and intertitles were introduced to augment and extend the possibilities of the visual content. Probably more important, the paper included plenty of pictures of really cute cats.